The opening section is based on the original chant melody. Rich, warm harmonies, simple ABA form, and very natural text declamation make this setting a lovely choice for your Holy Week service. Beautiful part-writing for a more advanced choir. A beautiful setting.Ī mix of Latin and English text is highlighted through rich harmonies, thoughtful phrasing, and a lyrical Tenor solo. Includes a text translation and pronunciation guide. Interesting vocal lines and part-writing, modern harmonies, and a sparkling, yet lyrical piano accompaniment bring new life to this old text. Reminiscent of Mary Lynn Lightfoot's Pie Jesu. Imitative part-writing, interesting melodic lines (perhaps a bit challenging at first), and a simple, flowing accompaniment make this accessible for youth choirs or small adult choirs.Īccessible part-writing with moments of imitation in the chorus. SSA and 3-Part Mixed AnthemsĪ flowing piano accompaniment and lyrical part-writing create a sweeping arrangement of the traditional Latin chant.
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2-Part AnthemsĪ mix of the Latin chant text and the English translation, with a beautiful oboe obbligato and optional 2-part split for the last chorus. *Disclosure: I get commissions for purchases made through links in this post. Hopefully, you'll find one you love for your Holy Week service this year! Today, I'm sharing ten of my favorite choral settings of Ubi Caritas. There are numerous choral settings of this text: some accompanied, some not some incorporating chant-like passages, some not some with a mix of Latin and English text, some with only Latin. The current Roman Catholic Missal includes it as the offertory on Maundy Thursday. Traditionally, the chant was used as an antiphon, or sung refrain, for the washing of feet ceremony on Maundy Thursday (the Thursday before Easter). Let us fear, and let us love the living God.Īnd may we love each other with a sincere heart. Where charity and love are, God is there. Here is the first stanza with English translation: Gjeilo began playing piano, and gravitated towards jazz improvisation.Ubi Caritas is an ancient chant, thought to have originated in France between the 4th and 10th centuries ( source). What does my teacher want me to do? The opening chant is then presented again, but this time with all SATB in unison. The Best of Brass Alexander Arutunian: His keen ear enabled him to be experimental in his compositional style from a catitas age. Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice! We get caught up in these things and distracted from the core question - what is jgeilo that I really love? It made me happier.
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Gjeilo mainly learned music by ear, but did learn how to read music from age 7. Gjeilo cleverly changes meter twice before completing the work, to prolong the tension in the final cadence. Blogs Choral Ola Gjeilo: Exultemus, et in ipso iucundemur.
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However, instead of the voices being in unison here, they are in full SATB harmony, which is absolutely glorious.
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Is it too pretty? His use of improvisation, jazz and classical conventions amalgamate to create some truly stunning pieces of music. The opening chant is then concluded by the soprano and alto lines coming together, solidifying the F minor key. What’s on your mind? Leave a Reply Cancel reply.Īfter deciding that a career as a vjeilo Read more…. What are others expecting from me? When Tower was nine, her family moved to Bolivia, which she describes as an integral part of Read more…. Timeamus, et amemus Deum vivum.įrom an early age he was exposed to a range of different genres of music, but he took a special liking to both jazz and classical choral music. A modulation to B major is heard at the end of this middle section, which comes when the choir are singing the final line of text. So, this is the principle I work with now. I started to write more music that reflected what I listen to. The cartias that is at the centre of the work can be seen below. The middle section begins following a neat modulation to A major. Ubi Caritas with Piano Improvisation | Ola Gjeilo This should be the benchmark of all that we composers are looking for.
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In the last two bars, the bass and soprano land on the tonic and dominant of F minor. The text, which is related to the Eucharist, carihas widely known as the antiphon for the first communion, and the washing of the feet from the Mass for Maundy Thursday. Ola Gjeilo celebrating years of timeless choral music.
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With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into. From an early age he was exposed to a range of different genres of. Ola Gjeilo was born in, in Sandvika, Norway.